The hero of the story – understanding antagonists
One of the problems with plotting…
Many beginner writers struggle with plotting. This is because they don’t have an antagonist. In Writers Write we teach that the antagonist is not necessarily a bad person. The antagonist is the character whose story goal is the opposite of the protagonist.
This diagram illustrates this perfectly. Each of these characters is the hero of his or her own story. Without an antagonist your hero will wallow in his or her thoughts for 80 00 words.
Source for Image
From Writers Write - How to write a novel by Amanda Patterson
Defense Mechanisms - helpful for creating characters.
A summary of 12 archetypes from The Hero and Outlaw.
Character Flaws
The 12 Most Basic Character Building Blocks
Everybody remembers Atticus Finch from To Kill A Mockingbird.
Why?
He was a well-rounded character with an established background. His attitudes, morals, and ethics were clear. His emotions, motivations, and reactions were measured by his occupation and his family. His body language, mannerisms, and manners reinforced his character. He was consistent. We cared deeply for him.
These are the 12 crucial things you need to consider when you create a character’s personality. Use them as a check-list for creating your characters.
The List:
by Amanda Patterson, creator of Writers Write - the course that teaches you how to write a book.
From Writers Write
Your characters needs problems. Use the DSM-V for ideas.
Redefining Psychiatric Illness: Hoarding Is In, Asperger’s Out
The American Psychiatric Foundation approved major changes to the “Diagnostic and Statistical Manual of Mental Disorders,” or the DSM, this weekend. From the addition of “hoarding disorder” to the redefining of autism and “gender”.
Six Types of Courageous Characters
by K.M. Weiland, author of Dreamlander
1. Heroic Bravery
When we think of heroes these days, we generally think of those who qualify for heroic bravery.
What is it? This is the kind of bravery that makes a character do crazy dangerous stuff, either to protect others or to advance a cause in which he passionately believes. He’s not a fool. He knows what he’s risking, but he believes the danger is worth it.
2. Steadfast Bravery
Steadfast bravery isn’t as flashy as heroic bravery (although it exhibits bursts of heroism), but its patient doggedness challenges fate every single day.
What is it? This is the kind of bravery we see from someone who is enduring a bad or dangerous situation day in and day out. A POW, a soldier in the trenches, or an informant in enemy territory will probably exhibit steadfast bravery.
3. Quiet Bravery
This one is perhaps the least flashy of any type of bravery. It can even occasionally be confused with cowardice.
What is it? Quiet bravery gives a character the courage needed to endure bad situations with grace and patience. It’s basically an offshoot of steadfast bravery, but it usually surfaces in situations that are less physically dangerous. Cancer patients, overworked single mothers, and trod-upon servants who maintain their sense of self-worth and hope all exhibit quiet bravery.
4. Personal Bravery
Not all brave characters are going to face death or save the world. Sometimes the bravest thing a person can do is take a chance to advance his own lot in life.
What is it? Personal bravery demands characters reach for the stars and chase their dreams. Instead of remaining in a bad situation and taking it and taking it, they risk everything for a chance at a better life. Personal bravery is perhaps the most common kind of bravery of all, since it’s something every single one of us chooses to exhibit at one point or another in our lives, whether it’s in dreaming of a better education, a better career, or just a life-changing trip around the world.
5. Devil-May-Care Bravery
Here we find the domain of the anti-hero and the fatalist.
What is it? Devil-may-care bravery isn’t bravery so much as a cynical realization that death (or whatever the worst-case scenario may be) will come no matter what we do, ergo let’s meet it with arms stretched wide. Characters who have nothing to live for can often exhibit insane courage, but they’re doing it from a place of negativity.
6. Frightened Bravery
Finally, we have the most dichotomous, and often the most compelling, bravery of all.
What is it? Frightened bravery finds the hero a knee-shaking, gut-churning, terrified mess. But he rises above it. He enters the fray in spite of his terror, and, in so doing, becomes the bravest of all characters. Frightened bravery can go hand in hand with any of the other types (save perhaps devil-may-care bravery), since the very act of overcoming fear is what makes a character brave.
None of these categories are exclusive. A character may well exhibit all six types of bravery during the course of your story, and often you’ll find the categories overlapping. In creating a strong character, it’s important not only that he qualify for at least one of these types of bravery, but also that you identify which is the strongest category, so you can further strengthen it on the page. Once you’ve done that, it’s almost a cinch readers will find your character fascinating.
Source for Article by K.M. Weiland, author of Dreamlander
How to write bad fiction.
Psychology for Writers: The Dark Side
(from the article by Carolyn Kaufman)
Why do we get so excited about things that focus on spooks, scares, and monsters?
Maybe because that creepy stuff calls to the dark side that resides in each of us.
Psychologist Carl Jung argued that everyone has a dark, repressed side, which he called the Shadow. More modern theorists claim that this Shadow is a reservoir for creativity. And when I look at the overwhelming popularity of a writer like Stephen King, I believe it. A King fan myself, I am fascinated by the way the author doesn’t just graze elbows with the Dark Side—he plunges head-first into the scariest situations he can think of. And his fans are riveted.
King realizes that, as Nietzsche claimed, ‘When you look into the abyss, the abyss also looks into you’. In other words, one cannot interact with or fight monsters without awakening the monster that lies within. Like calls to like. Nietzsche also exhorted, ‘Whoever fights monsters should see to it that in the process he does not become a monster’.
Years ago, someone else once gave me the same advice in different words. He said, ‘When we fight evil, we must take care not to become the very thing we hate’.
Let me give you an example: A year ago, a man in Zanesville, Ohio released 56 exotic animals from their cages and then committed suicide. Unfortunately, because it’s very hard to safely re-capture such animals, 49 of those animals were killed. Many people were outraged, and the authorities dealing with the situation began receiving death threats.
Stop and think about this for a moment, folks. These people are threatening to kill people because they disagree with the authorities killing animals. In other words, in their hatred, these ‘activists’ are becoming the very monsters they claim to be fighting. They kill because they hate killing. Their hatred has consumed their reason.
So spend a little time thinking about your Shadow, and your main character’s Shadow.
Ask these four questions:
From Writers Write