Showing posts tagged Sebastian Faulks.
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I am a writer. I create innovative creative and business writing courses. I inspire others to tell their stories. My company's name is Writers Write. My email address is amanda@writerswrite.co.za

Quotable - Sebastian Faulks, born 20 April 1953Seven Quotes http://bit.ly/1fayNjq

Quotable - Sebastian Faulks, born 20 April 1953
Seven Quotes http://bit.ly/1fayNjq

— 3 days ago with 64 notes
#Sebastian faulks  #lit  #Literary Birthday 
Literary Birthday - 20 April
Happy Birthday, Sebastian Faulks, born 20 April 1953
Interviewer: “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” Do you agree with E.L. Doctorow, or do you begin a novel with a shape of the whole?Sebastian Faulks: It’s a nice image, but not my experience. I have an AA gazetteer, a sat nav, GPS and a route map. I wouldn’t dream of starting without. 
Sebastian Faulks: Seven Quotes On Writing
The words themselves are the beginning and end. Even when the style is apparently plain it is so for a reason. And within plainness there a hundred choices for each sentence in rhtyhm and syntax and of course within each word. Think of Hemingway.
Ideally, I start with the theme and setting, then a rough narrative arc including half a dozen big moments which are like the supports in a river over which the bridge spans; then the people are given to you because they are the ones capable of acting out what is required of the action to exemplify the theme.
In the period of composition you have to be exceptionally open. Anything might feed in. The knack is knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions. You are a like a valve that switches between active and passive all the time. This is what takes it out of you a bit.
Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
When I am writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writers Block is God’s way of telling you to shut up. More people should have it…
Write about what you DON’T know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Real emotion comes from inside the reader. You are unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted. Too many adverbs is a bad sign.
Faulks is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also written a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
by Amanda Patterson for Writers Write

Literary Birthday - 20 April

Happy Birthday, Sebastian Faulks, born 20 April 1953

Interviewer: “Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.” Do you agree with E.L. Doctorow, or do you begin a novel with a shape of the whole?
Sebastian Faulks: It’s a nice image, but not my experience. I have an AA gazetteer, a sat nav, GPS and a route map. I wouldn’t dream of starting without. 

Sebastian Faulks: Seven Quotes On Writing

  1. The words themselves are the beginning and end. Even when the style is apparently plain it is so for a reason. And within plainness there a hundred choices for each sentence in rhtyhm and syntax and of course within each word. Think of Hemingway.
  2. Ideally, I start with the theme and setting, then a rough narrative arc including half a dozen big moments which are like the supports in a river over which the bridge spans; then the people are given to you because they are the ones capable of acting out what is required of the action to exemplify the theme.
  3. In the period of composition you have to be exceptionally open. Anything might feed in. The knack is knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions. You are a like a valve that switches between active and passive all the time. This is what takes it out of you a bit.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. When I am writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writers Block is God’s way of telling you to shut up. More people should have it…
  6. Write about what you DON’T know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
  7. Real emotion comes from inside the reader. You are unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted. Too many adverbs is a bad sign.

Faulks is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also written a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

by Amanda Patterson for Writers Write

— 1 year ago with 47 notes
#Sebastian Faulks  #Literary Birthday  #Writers Write  #Lit  #amanda patterson 
And sometimes in life, I imagine, good things do happen. Most of the time, it’s the opposite, obviously. But I don’t think you should rule out the possibility that just occasionally chance might deal you a good card. ~Sebastian Faulks

And sometimes in life, I imagine, good things do happen. Most of the time, it’s the opposite, obviously. But I don’t think you should rule out the possibility that just occasionally chance might deal you a good card. ~Sebastian Faulks

— 1 year ago with 19 notes
#Sebastian Faulks  #quotes  #lit  #fiction